Difference between revisions of "Pendragon"

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Alert viewers will notice that Arthur could not have reached [[London]] immediately after leaving [[Avalon]]. For one thing, Griff is already there, indicating that the events of ''[[M.I.A.]]'' have already taken place. Also, the [[trio]] and [[Hudson]] have been contacted by [[Halcyon Renard]] and [[Diane Maza]] about the events in ''[[Golem (episode)|Golem]]'' and ''[[Mark of the Panther (episode)|Mark of the Panther]]''. According to Greg Weisman, Arthur had an unspecified adventure in the outside world that troubled him enough that he decided to return to Avalon for a time, and he was brought to London after making a second venture into the outside world.
 
Alert viewers will notice that Arthur could not have reached [[London]] immediately after leaving [[Avalon]]. For one thing, Griff is already there, indicating that the events of ''[[M.I.A.]]'' have already taken place. Also, the [[trio]] and [[Hudson]] have been contacted by [[Halcyon Renard]] and [[Diane Maza]] about the events in ''[[Golem (episode)|Golem]]'' and ''[[Mark of the Panther (episode)|Mark of the Panther]]''. According to Greg Weisman, Arthur had an unspecified adventure in the outside world that troubled him enough that he decided to return to Avalon for a time, and he was brought to London after making a second venture into the outside world.
  
''Gargoyles'' here follows the popular interpretation of [[Excalibur]] and the Sword in the Stone being one and the same; in Malory's ''Le Morte d'Arthur'', they were, in fact, separate swords; though in the earliest Arthurian legends, they were indeed the same sword. After Arthur broke his old sword (Malory does not say whether it was the Sword in the Stone or a lesser weapon) while fighting King Pellinore, Merlin brought him to the [[Lady of the Lake]], who gave him Excalibur via the famous hand rising up from her lake garbed in a sleeve of white samite. ''Pendragon'' makes use of both concepts, having Excalibur once again embedded in stone (but this time, completely encased, with the sword seemingly thrust in the stone being just a worthless lookalike), but bringing in the Lady of the Lake as instrumental in its recovery.
+
''Gargoyles'' here follows the popular interpretation of [[Excalibur]] and the Sword in the Stone being one and the same, which was the case in the earliest Arthurian legends; in Malory's ''Le Morte d'Arthur'', they were, in fact, separate swords. After Arthur broke his old sword (Malory does not say whether it was the Sword in the Stone or a lesser weapon) while fighting King Pellinore, Merlin brought him to the [[Lady of the Lake]], who gave him Excalibur via the famous hand rising up from her lake garbed in a sleeve of white samite. ''Pendragon'' makes use of both concepts, having Excalibur once again embedded in stone (but this time, completely encased, with the sword seemingly thrust in the stone being just a worthless lookalike), but bringing in the Lady of the Lake as instrumental in its recovery.
  
The [[Will-O-The-Wisp]] that Macbeth uses to spy on Arthur, Griff, and the remaining members of the [[Manhattan Clan]], is an interesting take on the common cartoon plot device of "villain with cameras everywhere".  This is a common scene in action advernture cartoons where the heroes are discussing something of importance.  The view usually goes to a high angle shot and the camera pull back to reveal the villain watching and listening through a monitor or other viewing device.  The antagonist is able to view and overhear just what he or she needs to, despite the fact that the heroes are in their base, the sky, some place they've never been before, or another location where their foe would be highly unlikely to place a remote camera.  A magical entity, its powers augmented with science, get around the problem of how Macbeth manages to eavesdrop on our heroes from a distance.
+
The [[Will-O-The-Wisp]] that Macbeth uses to spy on Arthur, Griff, and the remaining members of the [[Manhattan Clan]], is an interesting take on the common cartoon plot device of "villain with cameras everywhere".  This is a common scene in action adventure cartoons where the heroes are discussing something of importance.  The view usually goes to a high angle shot and the camera pull back to reveal the villain watching and listening through a monitor or other viewing device.  The antagonist is able to view and overhear just what he or she needs to, despite the fact that the heroes are in their base, the sky, some place they've never been before, or another location where their foe would be highly unlikely to place a remote camera.  A magical entity, its powers augmented with science, get around the problem of how Macbeth manages to eavesdrop on our heroes from a distance.
  
 
An issue left unresolved is the Stone of Destiny's identity as being the stone from the Sword in the Stone. The Stone of Destiny was (according to Scottish tradition) brought to Scotland from Ireland around the year 500, to eventually become a crucial part of Scottish coronation ritual from 843 (when Kenneth mac Alpin became the first King of Scotland) to 1296 (when Edward I captured it and brought it to [[Westminster Abbey]]). Thus it did not reach London until almost eight hundred years after Arthur carried out his famous act of pulling the sword from the stone (which Malory places in London). So how can the two stones be the same? Greg has hinted that the Stone of Destiny was briefly moved to London and back for the occasion, but has declined to go into details; presumably, these would eventually have been addressed in the ''Pendragon'' spin-off (if it ever gets made).
 
An issue left unresolved is the Stone of Destiny's identity as being the stone from the Sword in the Stone. The Stone of Destiny was (according to Scottish tradition) brought to Scotland from Ireland around the year 500, to eventually become a crucial part of Scottish coronation ritual from 843 (when Kenneth mac Alpin became the first King of Scotland) to 1296 (when Edward I captured it and brought it to [[Westminster Abbey]]). Thus it did not reach London until almost eight hundred years after Arthur carried out his famous act of pulling the sword from the stone (which Malory places in London). So how can the two stones be the same? Greg has hinted that the Stone of Destiny was briefly moved to London and back for the occasion, but has declined to go into details; presumably, these would eventually have been addressed in the ''Pendragon'' spin-off (if it ever gets made).

Revision as of 16:38, 9 December 2007

Pendragon.JPG

"Pendragon" is the forty-eighth televised episode of the series Gargoyles, and the thirty-fifth episode of Season 2.

Summary

Tidbits

Greg Weisman intended Pendragon to be a back-door pilot to a spin-off, also entitled Pendragon, that would have dealt with King Arthur and Griff's adventures as they search for Merlin, adventures that would have taken them, among other places, to Tintagel, Stonehenge, and Antarctica. The Illuminati would have had a major role in this series as a recurring antagonist, particularly its leader, Mr. Duval, who would have turned out to be Sir Percival, a former knight of the Round Table that had survived into modern times through being the guardian of the Holy Grail. (This raises the question of how Percival can both be the Grail's guardian - an occupation that traditionally called for very high moral standards - and the head of an organization as amoral as the Illuminati. Greg commented once that Percival has had to pay a certain price for his actions as leader of the Illuminati, though he has so far refused to specify what that price was.) Arthur and Griff would also be joined by Percival's estranged wife, Blanchefleur, who would become a third regular. Greg also planned for another appearance by the Stone of Destiny, this one connected in some way with its real-life return to Scotland in late 1996. Unfortunately, the spin-off was never made (it is a sad commentary on television animation that Pendragon was rejected, while the dreadful King Arthur and the Knights of Justice received two full seasons).

Alert viewers will notice that Arthur could not have reached London immediately after leaving Avalon. For one thing, Griff is already there, indicating that the events of M.I.A. have already taken place. Also, the trio and Hudson have been contacted by Halcyon Renard and Diane Maza about the events in Golem and Mark of the Panther. According to Greg Weisman, Arthur had an unspecified adventure in the outside world that troubled him enough that he decided to return to Avalon for a time, and he was brought to London after making a second venture into the outside world.

Gargoyles here follows the popular interpretation of Excalibur and the Sword in the Stone being one and the same, which was the case in the earliest Arthurian legends; in Malory's Le Morte d'Arthur, they were, in fact, separate swords. After Arthur broke his old sword (Malory does not say whether it was the Sword in the Stone or a lesser weapon) while fighting King Pellinore, Merlin brought him to the Lady of the Lake, who gave him Excalibur via the famous hand rising up from her lake garbed in a sleeve of white samite. Pendragon makes use of both concepts, having Excalibur once again embedded in stone (but this time, completely encased, with the sword seemingly thrust in the stone being just a worthless lookalike), but bringing in the Lady of the Lake as instrumental in its recovery.

The Will-O-The-Wisp that Macbeth uses to spy on Arthur, Griff, and the remaining members of the Manhattan Clan, is an interesting take on the common cartoon plot device of "villain with cameras everywhere". This is a common scene in action adventure cartoons where the heroes are discussing something of importance. The view usually goes to a high angle shot and the camera pull back to reveal the villain watching and listening through a monitor or other viewing device. The antagonist is able to view and overhear just what he or she needs to, despite the fact that the heroes are in their base, the sky, some place they've never been before, or another location where their foe would be highly unlikely to place a remote camera. A magical entity, its powers augmented with science, get around the problem of how Macbeth manages to eavesdrop on our heroes from a distance.

An issue left unresolved is the Stone of Destiny's identity as being the stone from the Sword in the Stone. The Stone of Destiny was (according to Scottish tradition) brought to Scotland from Ireland around the year 500, to eventually become a crucial part of Scottish coronation ritual from 843 (when Kenneth mac Alpin became the first King of Scotland) to 1296 (when Edward I captured it and brought it to Westminster Abbey). Thus it did not reach London until almost eight hundred years after Arthur carried out his famous act of pulling the sword from the stone (which Malory places in London). So how can the two stones be the same? Greg has hinted that the Stone of Destiny was briefly moved to London and back for the occasion, but has declined to go into details; presumably, these would eventually have been addressed in the Pendragon spin-off (if it ever gets made).

Links


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