Difference between revisions of "Broadway Goes to Hollywood"
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==Discontinuity== | ==Discontinuity== | ||
* Despite "[[The Journey (TGC)|The Journey]]" and "[[The Dying of the Light]]" depicting The [[Quarrymen]] to be extremist who genuinely believe that gargoyles are a threat, they seem to believe otherwise here as they set [[Broadway]] up to fire off weapons to discredit him. | * Despite "[[The Journey (TGC)|The Journey]]" and "[[The Dying of the Light]]" depicting The [[Quarrymen]] to be extremist who genuinely believe that gargoyles are a threat, they seem to believe otherwise here as they set [[Broadway]] up to fire off weapons to discredit him. | ||
| + | |||
| + | ==Tidbit== | ||
| + | * Final onscreen appearance of [[Fox]] and [[Alexander Fox Xanatos|Alexander]], though both are mentioned in "[[...For It May Come True]]". | ||
==External Link== | ==External Link== | ||
Revision as of 06:17, 24 December 2020
"Broadway Goes to Hollywood" is the fourth episode of the non-canonical The Goliath Chronicles, and the 69th televised episode of the series.
- Story edited by: Eric Lewald
- Written by: Cary Bates
Contents
Summary
Opening Monologue
"The tempting siren's song of fame has shipwrecked countless humans on the jagged rocks of disillusion. The yearning to feel the eyes of the world upon you is buried deep in the hearts of creatures whose lives too often feel the dull cold drag of anonymity. Gargoyles are not immune to these emotions or to their consequences."
First Appearances
Discontinuity
- Despite "The Journey" and "The Dying of the Light" depicting The Quarrymen to be extremist who genuinely believe that gargoyles are a threat, they seem to believe otherwise here as they set Broadway up to fire off weapons to discredit him.
Tidbit
- Final onscreen appearance of Fox and Alexander, though both are mentioned in "...For It May Come True".
External Link
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