The Edge
- Written by Michael Reaves
Summary
Tidbits
The episode sees the full introduction of Matt Bluestone (who first appears in a non-speaking role in "Deadly Force") and Travis Marshall. We also get a glimpse of Derek Maza as Elisa and Matt's helicopter pilot.
The Eye of Odin is also first introduced in "Gargoyles". It originated in the "Gargoyles" video game, and so intrigued Greg Weisman that he proceeded to write it into the series (though Greg feels disappointed that the Eye in the animated series did not look as Norse as the Eye in the game).
The Emir is first mentioned in the opening scene between Xanatos and Owen, here merely to give us a brief look at the world of movers and shakers that Xanatos operates in. Greg Weisman had not planned to turn the Emir into an on-stage character - yet.
The Illuminati also receive their first mention, in Matt's conversation with Elisa. Although they would later become an on-stage element, their original introduction, as planned by Michael Reaves, was done for a much simpler reason: Reaves wanted to make Matt's suspicion that the gargoyles were out there (thus leading into his investigation of them) believable, and decided that if he was portrayed as a conspiracy theorist, the audience would be more ready to accept his pursuit of the clan.
Elisa, displaying her scepticism towards Matt's Illuminati theories, says, "I don't believe in Loch Ness, secret societies, or UFOs." This is an ironic statement, since she would encounter both the Loch Ness Monster and an extra-terrestrial (Nokkar) during the Avalon World Tour, in the following season.
As in "Enter Macbeth", Goliath again shows a penchant for the classics, this time reading Dostoyevsky.
Xanatos's choice of the Museum of Modern Art to donate the Eye of Odin to seems surprising, since the Eye could hardly be modern art, in light of its background as revealed in Season Two. Greg Weisman has suggested that Xanatos chose the MOMA based on it having poor security, but fine security camera surveillance - just what he needed for his plan.
The security guard on duty at the MOMA on the night that Xanatos steals back the Eye briefly addresses a painting that is clearly either Edvard Munch's "The Scream" (which isn't on display there in real life), or modelled after it.
Links
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