Difference between revisions of "Awakening Part One"
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[[Image:Awakening1.JPG|thumb|260px|]] | [[Image:Awakening1.JPG|thumb|260px|]] | ||
| − | '''"Awakening: Part One"''' is the first televised episode of the series ''Gargoyles'', and the first episode of Season 1. It originally aired on October 24, 1994. | + | '''"Awakening: Part One"''' is the first televised episode of the series ''[[Gargoyles (TV series)|Gargoyles]]'', and the first episode of Season 1. It originally aired on October 24, 1994. |
* Story by [[Eric Luke]] & [[Michael Reaves]] | * Story by [[Eric Luke]] & [[Michael Reaves]] | ||
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==Summary== | ==Summary== | ||
| − | The gargoyles are introduced in a battle between the [[Viking]]s and [[Castle Wyvern]], repulsing an attack. However, thanks to the planning of the Viking leader [[Hakon]] and a traitor within the Castle, Wyvern is sacked the next day, free of Gargoyle intervention, and Hakon slaughters almost all of the gargoyle clan while they are asleep. [[Goliath]] and another gargoyle finally return that night, and find the remains of their clan, including what Goliath believes to be his "[[Angel of the Night]]"... | + | The [[gargoyles]] are introduced in a battle between the [[Viking]]s and [[Castle Wyvern]], repulsing an attack. However, thanks to the planning of the Viking leader [[Hakon]] and a traitor within the Castle, Wyvern is sacked the next day, free of Gargoyle intervention, and Hakon slaughters almost all of the gargoyle [[clan]] while they are asleep. [[Goliath]] and another gargoyle finally return that night, and find the remains of their clan, including what Goliath believes to be his "[[Angel of the Night]]"... |
==Tidbits== | ==Tidbits== | ||
| − | This episode begins with a "cold opening", that is without an opening credits sequence. This was done so that the opening sequence would not give away important plot twists such as the Wyvern Massacre. The episode begins with the title screen (the word "Awakening" on a black background) then goes straight into the action with a short teaser set in the modern day. The word "Gargoyles" appears on-screen at the transition to medieval times (immediately after Elisa's question of "What could be strong enough to leave claw marks in solid stone?"). The series' familiar credits sequence is included at the end of the episode. | + | This episode begins with a "cold opening", that is without an opening credits sequence. This was done so that the opening sequence would not give away important plot twists such as the [[Wyvern Massacre]]. The episode begins with the title screen (the word "Awakening" on a black background) then goes straight into the action with a short teaser set in the modern day. The word "Gargoyles" appears on-screen at the transition to medieval times (immediately after Elisa's question of "What could be strong enough to leave claw marks in solid stone?"). The series' familiar credits sequence is included at the end of the episode. |
| − | [[Castle Wyvern]], while fictional, was modelled after the real castle of Tintagel in Cornwall, which, according to legend, was the place of [[King Arthur]]'s conception. (Intriguingly enough, in the never-made ''Gargoyles''/''[[Team Atlantis]]'' crossover story entitled "The Last", Greg Weisman had the Atlantean word for "gargoyle" be "[[gorlois]]"; Gorlois was also the name of the Duke of Cornwall in the lifetime of Uther Pendragon, Arthur's father, whose likeness Uther took on while begetting Arthur upon Gorlois' wife Igraine at Tintagel.) | + | [[Castle Wyvern]], while fictional, was modelled after the real castle of [[Tintagel]] in Cornwall, which, according to legend, was the place of [[King Arthur]]'s conception. (Intriguingly enough, in the never-made ''Gargoyles''/''[[Team Atlantis]]'' crossover story entitled "The Last", Greg Weisman had the Atlantean word for "gargoyle" be "[[gorlois]]"; Gorlois was also the name of the Duke of Cornwall in the lifetime of Uther Pendragon, Arthur's father, whose likeness Uther took on while begetting Arthur upon Gorlois' wife Igraine at Tintagel.) |
Sharp-eyed viewers will note several dogs roaming through the great hall during the banquet scene. While true to medieval custom, it also subtly displays [[Princess Katharine]]'s hypocrisy, when she objects to Goliath and [[Demona]]'s presence with the words "To allow beasts in the dining hall!" Originally it was intended to immediately follow up Katharine's words with a scene in which one of the dogs proceeded to help himself to food from someone's plate, to make this all the clearer, but unfortunately the scene was not animated well-enough to appear in the finished product. | Sharp-eyed viewers will note several dogs roaming through the great hall during the banquet scene. While true to medieval custom, it also subtly displays [[Princess Katharine]]'s hypocrisy, when she objects to Goliath and [[Demona]]'s presence with the words "To allow beasts in the dining hall!" Originally it was intended to immediately follow up Katharine's words with a scene in which one of the dogs proceeded to help himself to food from someone's plate, to make this all the clearer, but unfortunately the scene was not animated well-enough to appear in the finished product. | ||
| − | Another deleted scene (though this one was cut out for time constraints) had [[Lexington]] examining one of the Vikings' catapults, as an indication of his fascination with all things mechanical. | + | Another deleted scene (though this one was cut out for time constraints) had the young gargoyle who would later name himself [[Lexington]] examining one of the Vikings' catapults, as an indication of his fascination with all things mechanical. |
| − | The [[Captain of the Guard]] is never given a personal name in the series. Since the gargoyles (except for Goliath) had no personal names in the 10th century, and the Captain identified with them far more than with his fellow humans (to the point where, when Hakon asks him "Why betray your own kind?", the Captain bitterly replies, "They're not my kind."), this is very fitting and appropriate. However, according to Greg Weisman, the Captain's real name was Robbie. | + | The [[Captain of the Guard]] is never given a personal name in the series. Since the gargoyles (except for Goliath) had no personal names in the 10th century, and the Captain identified with them far more than with his fellow humans (to the point where, when Hakon asks him "Why betray your own kind?", the Captain bitterly replies, "They're not my kind."), this is very fitting and appropriate. However, according to [[Greg Weisman]], the Captain's real name was Robbie. |
| − | [[Morgan Morgan|Officer Morgan]], introduced in the "modern-day teaser" sequence at the beginning of this episode, was the first of many familiar recurring characters to appear in the background of the ''Gargoyles''<nowiki>'</nowiki> New York. | + | [[Morgan Morgan|Officer Morgan]], introduced in the "modern-day teaser" sequence at the beginning of this episode, was the first of many familiar recurring characters to appear in the background of the ''Gargoyles''<nowiki>'</nowiki> New York. "Morgan" is both his first name and his last name (a concept inspired by the name of a highschool classmate of Greg Weisman's, Morgan Lord Morgan III). In early versions of ''Gargoyles'' as it went through Breakdowns, "Morgan" was an early name of Elisa's, reused for an incidental character after her final name was decided upon. (Many of Elisa's "first draft" surnames, such as Chavez, Bluestone, and Reed, would also be used for other characters as the series progressed; clearly, the ''Gargoyles'' production staff shared Xanatos' fondness for "recycling" of the sort shown in "[[Cloud Fathers (episode)|Cloud Fathers]]"!) |
==Links== | ==Links== | ||
Revision as of 12:30, 9 January 2008
"Awakening: Part One" is the first televised episode of the series Gargoyles, and the first episode of Season 1. It originally aired on October 24, 1994.
- Story by Eric Luke & Michael Reaves
- Teleplay by Michael Reaves
Summary
The gargoyles are introduced in a battle between the Vikings and Castle Wyvern, repulsing an attack. However, thanks to the planning of the Viking leader Hakon and a traitor within the Castle, Wyvern is sacked the next day, free of Gargoyle intervention, and Hakon slaughters almost all of the gargoyle clan while they are asleep. Goliath and another gargoyle finally return that night, and find the remains of their clan, including what Goliath believes to be his "Angel of the Night"...
Tidbits
This episode begins with a "cold opening", that is without an opening credits sequence. This was done so that the opening sequence would not give away important plot twists such as the Wyvern Massacre. The episode begins with the title screen (the word "Awakening" on a black background) then goes straight into the action with a short teaser set in the modern day. The word "Gargoyles" appears on-screen at the transition to medieval times (immediately after Elisa's question of "What could be strong enough to leave claw marks in solid stone?"). The series' familiar credits sequence is included at the end of the episode.
Castle Wyvern, while fictional, was modelled after the real castle of Tintagel in Cornwall, which, according to legend, was the place of King Arthur's conception. (Intriguingly enough, in the never-made Gargoyles/Team Atlantis crossover story entitled "The Last", Greg Weisman had the Atlantean word for "gargoyle" be "gorlois"; Gorlois was also the name of the Duke of Cornwall in the lifetime of Uther Pendragon, Arthur's father, whose likeness Uther took on while begetting Arthur upon Gorlois' wife Igraine at Tintagel.)
Sharp-eyed viewers will note several dogs roaming through the great hall during the banquet scene. While true to medieval custom, it also subtly displays Princess Katharine's hypocrisy, when she objects to Goliath and Demona's presence with the words "To allow beasts in the dining hall!" Originally it was intended to immediately follow up Katharine's words with a scene in which one of the dogs proceeded to help himself to food from someone's plate, to make this all the clearer, but unfortunately the scene was not animated well-enough to appear in the finished product.
Another deleted scene (though this one was cut out for time constraints) had the young gargoyle who would later name himself Lexington examining one of the Vikings' catapults, as an indication of his fascination with all things mechanical.
The Captain of the Guard is never given a personal name in the series. Since the gargoyles (except for Goliath) had no personal names in the 10th century, and the Captain identified with them far more than with his fellow humans (to the point where, when Hakon asks him "Why betray your own kind?", the Captain bitterly replies, "They're not my kind."), this is very fitting and appropriate. However, according to Greg Weisman, the Captain's real name was Robbie.
Officer Morgan, introduced in the "modern-day teaser" sequence at the beginning of this episode, was the first of many familiar recurring characters to appear in the background of the Gargoyles' New York. "Morgan" is both his first name and his last name (a concept inspired by the name of a highschool classmate of Greg Weisman's, Morgan Lord Morgan III). In early versions of Gargoyles as it went through Breakdowns, "Morgan" was an early name of Elisa's, reused for an incidental character after her final name was decided upon. (Many of Elisa's "first draft" surnames, such as Chavez, Bluestone, and Reed, would also be used for other characters as the series progressed; clearly, the Gargoyles production staff shared Xanatos' fondness for "recycling" of the sort shown in "Cloud Fathers"!)
Links
| Next Episode: "Awakening: Part Two" >> |
