Difference between revisions of "Japanese Cameraman"
Phoenician (talk | contribs) |
|||
| (2 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
| − | [[Image: | + | [[Image:Japanese_press_Bushido.png|thumb|360px|The Japanese cameraman, female and male reporters.]] |
| − | The '''Japanese cameraman''' works for a television station near [[Ishimura]]. | + | The '''Japanese cameraman''' works for a television station near [[Ishimura]], [[Japan]]. |
==History== | ==History== | ||
| − | + | Along with the [[Male Japanese Reporter|male]] and [[Female Japanese Reporter|female reporters]], he attended the opening of the “[[Gargoyle Theme Park]]”. When they entered the amusement park, they found [[Taro]] in the arms of a giant animatronic gargoyle after his defeat by [[Yama]]. Despite this embarrassment, Taro insisted that [[gargoyle]]s existed. [[Elisa Maza|Elisa]] and [[Hiroshi]] contributed hyperbolic stories about gargoyles to destroy any credibility Taro had left. The cameraman enjoyed a good laugh with his colleagues. ''([[Bushido (episode)|"Bushido"]])'' | |
| − | Along with the [[Male Japanese Reporter|male]] and [[Female Japanese Reporter|female reporters]], he attended the opening of the “[[Gargoyle Theme Park]]”. When they entered the amusement park, they found [[Taro]] in the arms of a giant animatronic gargoyle after his defeat by [[Yama]]. Despite this embarrassment, Taro insisted that [[gargoyle]]s existed. [[Elisa Maza|Elisa]] and [[Hiroshi]] contributed hyperbolic stories about gargoyles to destroy any credibility Taro had left. The cameraman enjoyed a good laugh with his colleagues. | ||
==Appearances== | ==Appearances== | ||
Latest revision as of 15:51, 7 October 2024
The Japanese cameraman works for a television station near Ishimura, Japan.
History
Along with the male and female reporters, he attended the opening of the “Gargoyle Theme Park”. When they entered the amusement park, they found Taro in the arms of a giant animatronic gargoyle after his defeat by Yama. Despite this embarrassment, Taro insisted that gargoyles existed. Elisa and Hiroshi contributed hyperbolic stories about gargoyles to destroy any credibility Taro had left. The cameraman enjoyed a good laugh with his colleagues. ("Bushido")
