Difference between revisions of "Sanctuary"
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===Act One=== | ===Act One=== | ||
| + | Over the streets of [[Paris]], a winged silhouette soars past the [[Eiffel Tower]]. Not too long afterwards, it comes to a landing on top of [[Notre Dame Cathedral]], scaring a Parisian couple walking the streets below. | ||
| + | |||
| + | On a bright and sunny day, strolling down the [[Champs-Élysées]], is a surprisingly happy [[Macbeth]], proclaiming to a red-headed woman that even though they've known each other for a very short time, it feels as if they've already spent a life time together. The red-head removes her sunglasses revealing her piercing green eyes and playfully retorts that he could just be another hopeless romantic taken in by the charms of Paris, but she prefers to think it's because they're both really in love. Macbeth assures her that he is, that he has so much he wants to share with her and hardly knows where to begin. The woman, Demona, simply says there is no rush as they have all the time in the world. | ||
| + | |||
| + | Not too far away, the [[Skiff]] appears on the [[Seine]] where [[Elisa Maza]] is pleasantly surprised that [[Avalon]] had sent them to [[Paris]]. She then quietly laments that [[Goliath]] isn't awake to enjoy "the most romantic city in the world" with her. She docks the skiff and decides to take the time to do a little sightseeing. Later in the day, while on the Champs-Élysées, she passes [[Margot Yale]] (who is clearly on her own tour of Europe, but [[Brendan Quarters]] is nowhere to be seen) while coming up on a payphone. As she begins to make a collect call to her parents, she spots Macbeth and Demona (in her human form) strolling down the street. She hangs up the phone and follows them. She watches them embrace in front of a [[Macbeth's Château|château]] before Demona takes her leave. Elisa follows the redhead before losing her around Notre Dame and letting out an exasperated [[Jalapeña|"Jalapeña!"]] | ||
| + | |||
| + | Shortly after sunset, Elisa returns to the Skiff and informs Goliath that Macbeth and Demona are in Paris, and she spent the day watching them "make nice". [[Angela]] begins to ask questions about Demona, starting with pondering how she can walk around in broad daylight while the rest of the clan are turned to stone. Goliath explains to her that thank to [[Puck's Spell of Transformation|sorcery]], Demona becomes human in daylight. Elisa is confident that this is why Avalon sent them to Paris, but Goliath ponders why Avalon sent Demona and Macbeth here. Elisa briefs Goliath on Macbeth's château on the [[Left Bank]] and while she may have lost Demona at Notre Dame, she shares the local newspaper depicting a photograph of a winged figure landing on the cathedral. She must be there. | ||
| + | |||
| + | As Goliath rows the skiff towards Notre Dame, Angela is impressed by the sight of it and asks her "Father" what he thinks. But Goliath immediately rebukes her, urging her to think of the whole clan as her parents as that is the Gargoyle Way. After docking the skiff, Goliath pulls Elisa out of Angela's earshot and explains that he'd rather keep Angela away from Demona due to the young gargoyle's interest in her parentage. Elisa sympathizes but before she can finish what she's about to say, Goliath cuts her off and orders Angela to stay with Elisa and protect her due to Demona's grudge against the cop. Elisa - very begrudgingly - goes along with it, telling Angela that she'd feel safer. Angela, begrudgingly herself, agrees. | ||
| + | |||
| + | Goliath and [[Bronx]] scale the walls of Notre Dame before the gargoyle catches a wind current and comes around. Demona calls out "in here, my love" while reading a newspaper. She lowers the paper and is shocked at the sight of her former mate. Goliath vows to find out what she and Macbeth are up to and stop it, but Demona engages him in combat promising that he won't leave Paris alive. The two engage in an aerial battle. | ||
| + | |||
| + | Back at the skiff, Angela sees this and tells Elisa to stay in the shadows and rushes off to assist Goliath, despite Elisa's protests. | ||
| + | |||
| + | While Demona briefly manages to get the upper hand, Goliath and Bronx subdue her and knock her off the top of the cathedral where she is caught by... another gargoyle. The gargoyle says "that is no way to treat a lady" before firing a particle beam at Goliath hitting him in the upper shoulder before adding "especially not the gargoyle I love." Goliath looks up into the face of [[Thailog]], now clad in armor. | ||
===Act Two=== | ===Act Two=== | ||
Revision as of 06:25, 3 June 2024
"Sanctuary" is the forty-second televised episode of the series Gargoyles, and the twenty-ninth episode of Season 2. It originally aired on December 18, 1995.
- Supervising Producers: Frank Paur, Greg Weisman
- Written by: Cary Bates
- Story Edited by: Cary Bates
- Produced & Directed by: Dennis Woodyard
- Animation by: Hahn Shin Corp.
- Storyboard by: Vic Cook
- Backgrounds by: Hahn Shin Corp.
- Additional Production Facilities: N/A
Contents
Summary
Main Plot
Thailog and Demona team up in Paris and devise a plot for Demona to marry Macbeth in her human guise, and then capture him so that the two gargoyles could inherit his fortune. Thailog works behind Demona's back and plans to have the two enemies kill each other so that he can collect the fortunes of both. The Avalon World Tour travellers are able to stop this from happening, but Thailog leaves with Demona, who is still none the wiser about his true motives.
Subplots
Angela starts pressuring Goliath to regard her as his daughter.
Angela finds out that Demona is her mother.
Thailog and Demona establish Nightstone Unlimited.
The Story
Previously on Gargoyles
- Recaps: ("Golem", "Avalon" Part Three, "Monsters")
Act One
Over the streets of Paris, a winged silhouette soars past the Eiffel Tower. Not too long afterwards, it comes to a landing on top of Notre Dame Cathedral, scaring a Parisian couple walking the streets below.
On a bright and sunny day, strolling down the Champs-Élysées, is a surprisingly happy Macbeth, proclaiming to a red-headed woman that even though they've known each other for a very short time, it feels as if they've already spent a life time together. The red-head removes her sunglasses revealing her piercing green eyes and playfully retorts that he could just be another hopeless romantic taken in by the charms of Paris, but she prefers to think it's because they're both really in love. Macbeth assures her that he is, that he has so much he wants to share with her and hardly knows where to begin. The woman, Demona, simply says there is no rush as they have all the time in the world.
Not too far away, the Skiff appears on the Seine where Elisa Maza is pleasantly surprised that Avalon had sent them to Paris. She then quietly laments that Goliath isn't awake to enjoy "the most romantic city in the world" with her. She docks the skiff and decides to take the time to do a little sightseeing. Later in the day, while on the Champs-Élysées, she passes Margot Yale (who is clearly on her own tour of Europe, but Brendan Quarters is nowhere to be seen) while coming up on a payphone. As she begins to make a collect call to her parents, she spots Macbeth and Demona (in her human form) strolling down the street. She hangs up the phone and follows them. She watches them embrace in front of a château before Demona takes her leave. Elisa follows the redhead before losing her around Notre Dame and letting out an exasperated "Jalapeña!"
Shortly after sunset, Elisa returns to the Skiff and informs Goliath that Macbeth and Demona are in Paris, and she spent the day watching them "make nice". Angela begins to ask questions about Demona, starting with pondering how she can walk around in broad daylight while the rest of the clan are turned to stone. Goliath explains to her that thank to sorcery, Demona becomes human in daylight. Elisa is confident that this is why Avalon sent them to Paris, but Goliath ponders why Avalon sent Demona and Macbeth here. Elisa briefs Goliath on Macbeth's château on the Left Bank and while she may have lost Demona at Notre Dame, she shares the local newspaper depicting a photograph of a winged figure landing on the cathedral. She must be there.
As Goliath rows the skiff towards Notre Dame, Angela is impressed by the sight of it and asks her "Father" what he thinks. But Goliath immediately rebukes her, urging her to think of the whole clan as her parents as that is the Gargoyle Way. After docking the skiff, Goliath pulls Elisa out of Angela's earshot and explains that he'd rather keep Angela away from Demona due to the young gargoyle's interest in her parentage. Elisa sympathizes but before she can finish what she's about to say, Goliath cuts her off and orders Angela to stay with Elisa and protect her due to Demona's grudge against the cop. Elisa - very begrudgingly - goes along with it, telling Angela that she'd feel safer. Angela, begrudgingly herself, agrees.
Goliath and Bronx scale the walls of Notre Dame before the gargoyle catches a wind current and comes around. Demona calls out "in here, my love" while reading a newspaper. She lowers the paper and is shocked at the sight of her former mate. Goliath vows to find out what she and Macbeth are up to and stop it, but Demona engages him in combat promising that he won't leave Paris alive. The two engage in an aerial battle.
Back at the skiff, Angela sees this and tells Elisa to stay in the shadows and rushes off to assist Goliath, despite Elisa's protests.
While Demona briefly manages to get the upper hand, Goliath and Bronx subdue her and knock her off the top of the cathedral where she is caught by... another gargoyle. The gargoyle says "that is no way to treat a lady" before firing a particle beam at Goliath hitting him in the upper shoulder before adding "especially not the gargoyle I love." Goliath looks up into the face of Thailog, now clad in armor.
Act Two
Act Three
Featured Characters and First Appearances
| Gargoyles | Humans | Oberon's Children |
|---|---|---|
|
|
Quotes
- "The most romantic city in the world and Goliath isn't even awake to enjoy it with me." - Elisa
- "Jealous and paranoid!" - Demona
- "Do you think I would miss out on my own wedding night?" - Demona
- "Teamwork is so overrated." - Thailog
- "Search for that love Macbeth, she's out there. Just make sure that next time, you get a good look at her at night." - Goliath
Continuity
Banquo and Fleance attend Macbeth and Demona's wedding (though without speaking roles). Margot briefly walks past Elisa while the latter is sight-seeing, though with no trace of Brendan about. (Is Margot still on a European vacation (as in "Monsters"), or is it just another lookalike character, such as the one in "City of Stone" Part Two?)
Macbeth and Demona appear for the first time since they were put on a skiff in "Avalon" Part Three, although they have no memory of events since they were put under the Weird Sisters' spell in "City of Stone" Part Four. In particular, Macbeth only learns that Demona now turns human in the day at the end of this episode, even though he previously witnessed the change in "High Noon".
Demona uses the alias of Dominique Destine for the first time.
Thailog appears for the first time since his introduction in "Double Jeopardy". He has used the money he stole in that episode to form Nightstone Unlimited with Demona as his partner. Their partnership will last until "The Reckoning".
Angela learns that Demona is her biological mother.
Tidbits
Thailog's alias for interacting with the human world (mentioned only in this episode) is "Alexander Thailog", which is significant since Xanatos's biological son will also bear the name of Alexander (and Thailog views Xanatos as one of his "fathers"). The fact that Thailog comes up with this name independently gives this scene a particularly eerie tone - though it can easily be explained as a result of his sharing Xanatos's ambitions and means of achieving them. The name itself is borrowed from Alexander the Great, the famous Macedonian conqueror - whose remarkable achievements would be an obvious source of inspiration to both Xanatos and Thailog.
Elisa's "This is a job for the gargoyles" line is a take-off on the catch-phrase "This looks like a job for Superman."
Sanctuary is also the title of a 1931 William Faulkner novel. Faulkner is one of Greg Weisman's favorite writers and his works were one of the influences on Gargoyles. [1][2]
This episode features one of the series' most infamous animation errors. When Demona transforms at sunset at the end of Act II, she is drawn without her tiara (as Dominique was not wearing it); this is the only time in the entire series that she is seen without her tiara. Following Act II, while she is still drawn without her tiara, her forehead is colored gold throughout the rest of the episode.
DVD Release
Links
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