The Rock
"The Rock" is the seventh issue of the Gargoyles comic by SLG, and Chapter Seven of the Clan-Building story arc.
- Writer/Creator: Greg Weisman
- Pencil Artist: David Hedgecock
- Color Artist: Robby Bevard
- Art Director/Cover Pencil Artist: Greg Guler
- Cover Color Artist: Robby Bevard
Contents
Solicitation
What's a gargoyle to do when Xanatos is on the job for the Illuminati; Coldsteel's in town; Thailog's breaking in new assistants, and Macbeth needs a favor? Well, what else can you do except... ROAD TRIP!!!! As Goliath and Elisa attempt to repair their relationship, the rest of the clan contemplates a change of scene. But how far should they go to save a slab of stone? And why is Fox buying new shoes? Find out in CLAN-BUILDING, Chapter 7: The Rock.
Summary
"The Rock" has to be the most remarkable issue of Gargoyles to date; Greg Weisman arranges this story in a non-linear fashion, jumping about through the events during the first two weeks of November as seen by the various characters (and even as far back as 1040, at least). Fortunately, the events are all carefully located on the timeline by captions, allowing an attentive reader to discover in what order they are taking place.
The focus is on the Stone of Destiny, which had been introduced in "City of Stone Part Three", played a larger role in "Pendragon", and now takes center stage. The Stone is about to be returned to Scotland after seven hundred years (a real event from November 1996), but Macbeth is afraid that someone will try to steal it. Therefore, he calls upon the gargoyles for assistance; Hudson and Lexington agree to help him, and accompany him to London while the rest of the clan remains behind in New York.
Macbeth is correct to be concerned about the Stone, for Xanatos is setting his own plans in motion, that include a partnership between Coldsteel and the latest Coyote robot, Coyote 5.0, now apparently powered or augmented by the Coyote Diamond from "Her Brother's Keeper". What his precise goals are yet is unknown, but it is not difficult to suspect that they involve the Stone - and the instructions that he received from the Illuminati in "Bash".
And as if that was not trouble enough, Macbeth, Hudson, and Lexington find themselves facing more unexpected opponents when King Arthur and three London gargoyles (Griff and two new gargoyles - one resembling a wild sow, the other a stag) appear on the scene, in a hostile mood...
While this is going on in London, Shari tells Thailog (and occasionally Brentwood) the story of the Stone of Destiny's past, all the way down to its arrival in Ireland. Presumably, in the succeeding issues (#8 and #9) she will continue to narrate its fortunes all the way to the present day. These scenes are colored in sepia, keeping them distinct from the rest of the story. (In a wonderful touch, at one point Shari is shown telling the story as Thailog carries her through the sky, in what can only be a twisted echo of Goliath and Elisa.)
But not everything in this issue involves the Stone. Dr. Sato is introduced to the Mutates, bringing him further into the gargoyles' circle of human friends and allies - and reveals that Maggie is pregnant. Goliath and Elisa fully accept the fact that they are meant to be together, in a moving scene with many echoes of their break-up in "Invitation Only" - though this time in a happier mood. Hudson and Lexington experience jet lag upon their arrival in London. And Fox (who has accompanied her husband to Britain) is buying a pair of shoes - though we shall have to wait for future issues to learn the significance of that...
This is a fine issue, as well as a challenging one, and I look forward to seeing the continuation of this story in "Rock & Roll".
Tidbits
Shari's account of the Stone of Destiny's history - the stone that Jacob used for a pillow at Bethel, conveyed from the Middle East to Ireland by the Athenian prince Gathelus and his wife, the Egyptian princess Scota - is based on actual legend. (Variations of this tale have Gathelus and Scota driven into exile after Pharaoh was drowned while trying to cross the Red Sea and the surviving Egyptian nobles feared that Gathelus would attempt to seize his father-in-law's throne, or have Gathelus still alive when his family reached Ireland.)
On Page 2, Lexington is saying to an as yet undisclosed someone or something, "I'll call you Amp". The name is an in-joke; in the original development of Gargoyles, when it was designed as a comedy, one of the gargoyles was named Amp. (He looked much like Lexington, appropriately, but in character was closer to Brooklyn.)
The flashback to Macbeth's coronation on Page 4 clashes with its depiction in "City of Stone Part Three": for example, in the television episode, Macbeth is crowned in the great hall of a castle, while in the comic book, he is crowned outdoors. According to Robby Bevard, the colorist for this issue, this was because the television episode had mishandled the coronation scene, and so Greg decided that he "might as well do the thing right this time", as Robby put it. Demona and Gruoch are both shown attending the coronation.
On the same page, Macbeth incorrectly states that the Stone is being returned to Scotland "after eight hundred years"; it should be "seven hundred years", since the Stone was seized by the English in 1296.
Macbeth alludes to Banquo and Fleance having deserted him for Castaway.
Macbeth is revealed as having a house in Berkeley Square, which contains one of the most infamous haunted houses in England (at No. 50). It is as yet unknown whether Greg Weisman had this in mind when he wrote that line.
It is also revealed that Macbeth took part in the real-life theft of the Stone of Destiny from Westminster Abbey on Christmas, 1950.
The story beginning in this issue and continuing in "Rock & Roll" and "Rock of Ages", involving the real-life return of the Stone of Destiny from Westminster Abbey to Scotland in late 1996, is a story idea that Greg Weisman revealed he intended to use even before the year 2000.[1] It was originally intended to appear in the Pendragon spin-off.
Links
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