Awakening Part One
"Awakening: Part One" is the first televised episode of the series Gargoyles, and the first episode of Season 1. It originally aired on October 24, 1994.
- Producer: Frank Paur
- Co-Producer: Greg Weisman (Uncredited)
- Story: Eric Luke, Michael Reaves
- Teleplay: Michael Reaves
- Story Edited by: Michael Reaves
- Directed by: Kazuo Terada, Saburo Hashimoto
- Animation by: Walt Disney Animation Japan
- Backgrounds by: Studio Fuga
- Additional Production Facilities: Nakamura Production, Studio Robin, Light Foot, Studio Cats, Takahashi Production
Contents
Summary
Main Plot
The gargoyles of the Wyvern Clan are introduced while repulsing an attack during a battle between the Vikings and Castle Wyvern. However, thanks to the planning of the Viking leader Hakon and a traitor within the Castle , Wyvern is sacked the next day, free of Gargoyle intervention, and Hakon slaughters almost all of the gargoyle clan while they are asleep. Goliath and the gargoyle who will be known as Hudson return that night after being decoyed away from the castle, and find the remains of their clan, including what Goliath believes to be his "Angel of the Night"...
Subplots
In Manhattan, a battle appears to be taking place atop the Eyrie Building while debris falls down to the street below. Detective Elisa Maza arrives on the scene, and wonders at the strange claw marks in a piece of fallen stone.
The gargoyles are treated with disdain by most of the denizens of the castle, including Princess Katharine and the Magus. The Captain, who is most likely the only human friend of the gargoyles, has Goliath and his mate appear before the Princess for recognition of their bravery. Instead the princess calls them "beasts" and demotes the Captain, a move which motivates the Captain to betray the people of Wyvern.
The Captain and Demona try to convince Goliath to take the whole clan with him to scare off the Vikings from returning. Goliath instead decides to take just his mentor. He realizes too late that he has been tricked at the turning of the dawn. The captain goes ahead with his plan for the humans to be captured, but is unable to prevent Hakon from destroying the clan.
Brooklyn, Lexington,and Bronx act savagely towards a group of humans after Mary insults them. Goliath sends them and Broadway down to the rookery as punishment, which will end up saving their lives.
The Story
Prologue
In modern day Manhattan, the light and noise of explosions accompanied by falling debris rock the nighttime skies above the Eyrie Building, a towering skyscraper. A Manhattan detective who introduced herself as “Maza” from the 23rd precinct, arrives on the scene and narrowly avoids being hit by falling rubble. As she yells for onlookers to get back, she notices claw marks on some of the rubble. What, she wonders to herself, could be strong enough to leave claw marks in solid stone?
Act One
In 994 Scotland just before sunset, soldiers defend a castle from invaders. Two of the bowmen express doubts about their chances of success. The Captain of the Guard orders them back to their posts, remarking that the sun is about to set and “then we’ll see some fun.” Meanwhile, two of the Viking invaders express similar doubts about the wisdom of attacking a castle full of gargoyles with nightfall approaching. Their leader, Hakon, warns them that the real danger is questioning his sanity while he is within earshot. He orders his men to attack the castle. As Hakon scales the castle wall and reaches the top near a crouching stone gargoyle, night falls. Cracks spiderweb across the surface of the gargoyle and a living creature bursts forth from a layer of stone skin. The gargoyle lifts the startled Viking leader by the wrist and informs him “You are trespassing.” All around, other gargoyles awaken to confront the invaders.
With his free hand, Hakon draws his sword and slashes at the gargoyle. The gargoyle catches the blade in his hand and is wounded. Realizing that the gargoyles can be hurt, Hakon calls for his men to resume the fight. He kicks off the wall, freeing himself from the gargoyle’s grip, then catches a rope to break his fall. More gargoyles glide through the skies above and a trio of young gargoyles eagerly joins the battle. The purple gargoyle who first confronted Hakon comes to the aid of an elder gargoyle when a Viking attempt to sneak up on him. The purple gargoyle then fights alongside the Captain of the Guard, who remarked that the Vikings must have followed a band of refugees taking shelter at the castle. Nearby, one of the refugee children watches excitedly as the young aquamarine colored gargoyle stops to enjoy a piece of meat before whacking a Viking in the head with the bone. Hakon tries to catch his breath, and is confronted by a gargoyle beast. He flees, but is soon trapped between the beast and a fearsome female gargoyle who dares him to face her. The purple gargoyle lands near the cornered Viking and tells him to take his remaining forces and go. Hakon vows to return and the gargoyles and bowmen chase off the remaining Vikings. With the battle won, the blue skinned female gargoyle bandages the purple male’s injured hand. The Captain of the Guard thanks the purple gargoyle who he calls “Goliath” for defending the castle and its inhabitants. Goliath thanks him in return for defending the gargoyles during the day.
In the castle dining hall, the princess, her magus, and the soldiers enjoy a celebratory meal. Two soldiers at first praise, then mock the Captain of the Guard, saying he’s more like a gargoyle than a man. The Captain overheard them, but says nothing. The princess thanks the Captain for defending their home, but he refuses to take credit, saying that Goliath and the other gargoyles truly deserve it. Both the magus and the princess look annoyed and the princess asks that the Captain not mention “that monster’s name.” The sound of a door hinge alerts the startled diners to the presence of Goliath and the blue female gargoyle in the doorway. Goliath growls and narrows his eyes.
Act Two
Goliath and the other gargoyles enter the dining hall. The Captain of the Guard explains that he asked them to come and be recognized directly for their bravery. The princess replies that she is “most seriously disposed to allow beasts in the dining hall.” The Magus praises her “wise” words. Goliath approaches the frightened princess, but merely bows to her. The Captain remarks on how apt the name they gave Goliath is; his battle prowess rivals that of the Biblical Philistine giant. The princess counters that the Philistine giant “was also a bully and a savage.” Goliath’s companion snarls at the insult. Goliath lays a restraining hand on her shoulder and asks the princess to excuse them. After the gargoyles leave, the princess informs the Captain that he will now be reporting to the Magus rather than to her.
Outside the dining hall, the Captain apologized to Goliath for how he was received. Goliath insists that the apology is unnecessary. The blue skinned gargoyle rails against the injustice of the humans’ contentious attitude. She points out that the cliffs where the castle now stands were the gargoyles’ home long before humans arrived. The Captain agreed that the gargoyles deserve better, but Goliath protests. Taking the other gargoyle’s hand in his, he reminds her that humans naturally fear what they do not understand, but the ways of gargoyles are different. With a sigh and a smile, the other gargoyle marvels at Goliath’s patience, calling him “my love.”
As dawn approaches, the Magus is flipping through a book of spells. While the gargoyles sleep in stone, a mysterious robed figure rides to the Vikings canon and offers to help Hakon take Castle Wyvern, for a price.
The following night, Goliath removes the bandage from his now fully healed hand. The Captain warns that the Vikings may return at daybreak. He and Goliath’s second suggest that he take ask of the gargoyles and drive them off for good. Goliath is reluctant to leave the castle unprotected, but eventually agrees to take one other gargoyle to confront the Vikings. Goliath tells his second to stay behind and guard the castle and reminds her that the two are “one, now and forever.”
Near where the refugees are camped, the three young male gargoyles from before are playing with the blue gargoyle beast who cornered Hakon. The young refugee boy who watched them earlier runs over and introvert himself as “Tom.” When asked his name, the olive green gargoyle replies that none of the gargoyles except Goliath have names. As they’re talking, Tom’s mother runs over and tells her son to get away from the “monsters.” The rust colored beaked gargoyle protests that they wouldn’t hurt the child. Tom’s mother responds angrily and throws a stick at the young gargoyle. Goliath’s second, who has been watching from above, jumps between the humans and the gargoyles. The young gargoyles decided that if the humans see them as monsters, perhaps that’s what they should be. They growl and flex their talons menacingly.
Act Three
First Appearances
Characters (In order of appearance)
- Elisa Maza
- Morgan Morgan
- Castle Wyvern Garrison
- Captain of the Guard
- Hakon
- Goliath
- Brooklyn
- Lexington
- Broadway
- Hudson
- Tom
- Mary
- Bronx
- Demona
- Princess Katharine
- Magus
Locations
Objects
Quotes
- "You wanna wind up street pizza?" - Elisa
- "What could be strong enough to leave clawmarks in solid stone?" - Elisa
- "All of nature trembles at my passing!"
- "I can see why." - Broadway and Lexington
- "Face me human, if you dare!" - Demona
- "We are most seriously displeased, to allow beasts in the dining hall." - Katharine
- "We are what we are. Her opinion will not change that." - Goliath
- "It is the nature of human kind to fear what they do not understand. Their ways are not our ways." - Goliath
- "Remember, you and I are one, now and forever." - Goliath
- "But what do you call each other?"
- "Friend." - Tom and Brooklyn
- "If they think we're beasts and monsters..."
- "Then perhaps we'd better live up to the name." - Brooklyn and Lexington
- "I hope we're not down here long. He might eat us." - Lexington
- "Why betray your own kind?"
- "They're not my kind." - Hakon and the Captain
Tidbits
This episode begins with a "cold opening", that is without an opening credits sequence. This was done so that the opening sequence would not give away important plot twists such as the Wyvern Massacre. The episode begins with the title screen (the word "Awakening" on a black background) then goes straight into the action with a short teaser set in the modern day. The word "Gargoyles" appears on-screen at the transition to medieval times (immediately after Elisa's question of "What could be strong enough to leave claw marks in solid stone?"). The series' familiar credits sequence is included at the end of the episode.
Castle Wyvern, while fictional, was modelled after the real castle of Tintagel in Cornwall, which, according to legend, was the place of King Arthur's conception. (Intriguingly, in the never-made Gargoyles/Team Atlantis crossover story entitled "The Last", Greg Weisman had the Atlantean word for "gargoyle" be "gorlois"; Gorlois was also the name of the Duke of Cornwall in the lifetime of Uther Pendragon, Arthur's father, whose likeness Uther took on while begetting Arthur upon Gorlois' wife Igraine at Tintagel.)
Sharp-eyed viewers will note several dogs roaming through the great hall during the banquet scene. While true to medieval custom, it also subtly displays Princess Katharine's hypocrisy, when she objects to Goliath and Demona's presence with the words "To allow beasts in the dining hall!" Originally it was intended to immediately follow up Katharine's words with a scene in which one of the dogs proceeded to help himself to food from someone's plate, to make this all the clearer, but unfortunately the scene was not animated well-enough to appear in the finished product.
Another deleted scene (though this one was cut out for time constraints) had the young gargoyle who would later name himself Lexington examining one of the Vikings' catapults, as an indication of his fascination with all things mechanical. [1]
The Captain of the Guard is never given a personal name in the series. Since the gargoyles (except for Goliath) had no personal names in the 10th century, and the Captain identified with them far more than with his fellow humans (to the point where, when Hakon asks him "Why betray your own kind?", the Captain bitterly replies, "They're not my kind."), this is very fitting and appropriate. However, according to Greg Weisman, the Captain's real name was Robbie. [2]
Officer Morgan, introduced in the "modern-day teaser" sequence at the beginning of this episode, was the first of many familiar recurring characters to appear in the background of the Gargoyles' New York. "Morgan" is both his first name and his last name (a concept inspired by the name of a highschool classmate of Greg Weisman's, Morgan Lord Morgan III). In early versions of Gargoyles as it went through Breakdowns, "Morgan" was an early name of Elisa's, reused for an incidental character after her final name was decided upon. (Many of Elisa's "first draft" surnames, such as Chavez, Bluestone, and Reed, would also be used for other characters as the series progressed; clearly, the Gargoyles production staff shared Xanatos' fondness for "recycling" of the sort shown in "Cloud Fathers"!)
VHS/DVD Release
Links
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