High Noon

"High Noon" is the twenty-sixth televised episode of the series Gargoyles, and the thirteenth episode of Season 2. It originally aired on September 25, 1995.

• Produced by: Frank Paur, Greg Weisman
• Written by: Lydia C. Marano
• Story edited by: Brynne Chandler Reaves
• Directed by: Dennis Woodyard
• Animation by: Walt Disney Animation Japan
• Backgrounds by: Walt Disney Animation Japan
• Additional Production Facilities: Nakamura Production, Studio Robin, Light Foot, Studio Cats, Takahashi Production, Jade Animation Productions

The Story

Act One

"Desdemona" waits atop the castle inside the cyberspace of Coldstone's mind. "Othello" glides to a landing on the tower. "Desdemona" remarks that he has returned quickly and asks what he has brought her. He gives her a bouquet of heather and says that hills beyond are covered with blooming heather. "Desdemona" is pleased and takes the heather from him. She thought the season for heather had passed. She takes a deep smell of the flowers and realizes that the flowers have no scent. Like everything in cyberspace, it is not real. "Othello" comforts her saying that it is true that the world they live in has no substance, but it also has nothing that can separate them. "Desdeomna" smiles at her mate and admits that that alone makes it beautiful. He calls her beautiful as well as the two embrace. Suddenly, "Iago" dives towards the couple snarling. "Othello" angrily asks why "Iago" won't leave them in peace. "Desdeomna" calms his and says to let him be, as "Iago" no longer has the power to come between them. "Iago" glides off past a cybernetic moon.

Meanwhile, in the real world, Lexington is using his computer (hooked up to Coldstone) in the clock tower as Goliath looks on. Nearby, Hudson and Broadway are reading a newspaper together, practicing their new skills in literacy. They make their way through an article about Rosaria Sanchez and Peter Choy saving a five year old from the lake in Central Park. As Broadway struggles with a word, Elisa arrives and finishes the sentence for him: the teenagers saved the child because it was the "right thing to do." Broadway asks how she knew what they said and Elisa says she wasn't there, but that choosing to save the child took courage and that always feels right. Broadway takes some books from her and says she must make those courageous acts all the time. She claims that she is no hero and is just doing her job, which thankfully, for the night is over. She is tired and all she wants to do is "hit the sack". Hudson is confused by this phrase and asks that that means, Brooklyn, who was also reading newspapers nearby, explains that she is just tired and wants to sleep. "Then why didn't she say so?" asks Hudson, to Brooklyn's silent amusement towards the elder gargoyle. Elisa tells Lexington that she brought him more books on computer viruses and asks if he's making any progress with reviving Coldstone. Lex thinks that he is. He's discovered nothing is broken, but nothing is working either. The virus that attacked Coldstone wiped his programming clean, its a blank slate and even the virus is gone. Goliath reminds him that the three souls that inhabit the Coldstone body were put there by magic, not programming. Lex knows they must be in there somewhere and thinks he can revive Coldstone if he devises a simple operating program. Elisa says she knows he'll figure it out, but needs to get some sleep and waves goodbye to the Clan. Goliath notes that it is time for them to sleep as well. The gargoyles make their way outside and strike poses as the sun rises and they turn to stone.

Far below, Elisa exits the building with Officer Morgan, clearly exhausted. Morgan sympathizes and can relate. Elisa advises him to go home and get some rest and begins to depart herself. Just then, a woman in a police uniform passes them with a handcuffed man wearing a hat in tow. Elisa does a double take at the woman (and the woman glances at her as well). Elisa, puzzled, asks Morgan if he knows the woman. He doesn't and figures her to be just a rookie since otherwise she'd know better than to handcuff a guy that big with his hands in front of him. Elisa sighs and says she should tell her. Morgan reminds her to go home afterwards. Elisa pursues the mysterious pair, but they increase their pace through the hallways and stairs of the building. Elisa runs to follow and seems to lose them. She is struck by the weirdness of the incident and then notices the door to the broom closet is ajar. The broom closet that is the access point for the gargoyles' home. Deeply concerned she enters, spots the discarded hat and handcuffs on the ground, and makes her way up the ladder, gun drawn. As she reaches the top of the ladder, the mysterious woman kicks the gun out of her hand. The man, now revealed to be Macbeth restrains Elisa. Struggling, Elisa remarks that he and his "little friend" won't get away with this. He says nothing and throws her against a stone wall. She falls to the floor unconscious. Macbeth and the woman smile. "Sweet dreams, detective." quips Macbeth.

Some time later, Macbeth in his aircraft ascends and moves away from the clocktower. Behind him, the mysterious woman lets down her hair, revealing herself to be Demona in her human form. Demona is furious that Macbeth stopped her from killing Elisa and the gargoyles when they had the chance. Macbeth notes that the sleeping gargoyles and Elisa were helpless and there is no honor in killing them like that. Demona scoffs at his "stupid code of honor". Macbeth tells her to stop complaining. Their stolen cargo is safe and no one spotted them leaving. She needs to lighten up.

That evening, back at the clock tower, Elisa awakes. Looking at her watch she realizes she was unconscious for most of the day. She quickly rushes outside and is relieved to discover that all the gargoyles are present and accounted for. She briefly considers what else Macbeth and his partner in crime might've been after and remembers Coldstone. Sure enough, Coldstone is gone. Elisa is bewildered. How'd they get Coldstone out? Even in New York, people would notice if they just walked him out the door. She decides to quit talking to herself and wait for the clan to awaken.

Meanwhile, at Macbeth's Mansion, Macbeth and Demona, now in their normal attire, wait for the sun to set as well. Coldstone stands comatose nearby. Macbeth is annoyed. He doesn't understand why they are waiting for sunset and claims that Demona is still thinking like a gargoyle. Demona claims that she is a gargoyle, though her human form is useful at times. She explains that they are waiting to put a disk into Coldstone to awaken him because he doesn't know Macbeth and wouldn't recognize Demona in human form. They wait. Soon, the sun sets. Demona painfully transforms back into her gargoyle self. Nearby, Macbeth feels the pain of the transformation fully due to their magical link. He asks if it is supposed to hurt that much since the daily transformation is supposed to be a gift from Puck. Demona tells him that Puck's gifts always come with a price, but she's just glad that Macbeth gets to suffer as well. Macbeth, annoyed, tells her to get on with the plan. Demona inserts the disk into Coldstone's chest.

In cyberspace, a huge portal opens. "Othello" and "Desdemona" are intrigued. What is this portal and where does it lead? Before they have more time to consider it, "Iago" dives past them and enters the portal. "Desdemona" is alarmed and asks if they should follow. "Othello", glad their evil brother is gone, says that nothing matters except that they are together.

The Coldstone body wakes up and instantly recognizes Demona. "Iago" is in control of the Coldstone shell and greets his sister. Demona asks how he feels and "Iago" smiles and answers, "Vengeful..."

Continuity

This is another good episode for "bit-characters". Not only does Officer Morgan play a major role here, but Brendan, Margot, and the Jogger all show up among the passers-by at Belvedere Castle.

Elisa Maza (and through her the gargoyles) learns that Demona now turns into a human during the day, rather than turning to stone (an ability she has had since "The Mirror"). Elisa is able to recognize the human Demona later, in the episode "Sanctuary".

Broadway and Hudson continue to practice their reading skills. The decided to learn to read in "A Lighthouse in the Sea of Time". The newspaper article they read covers the rescue of a five year old from the lake in Central Park by Rosario Sanchez and Peter Choi.

Macbeth and Demona are still under the control of the Weird Sisters, following the events of "City of Stone Part Four". They will remain dominated until "Avalon Part Three".

Three talismans that the Manhattan Clan had been protecting at the Clock Tower are stolen in this episode by Macbeth and Demona, so that the Weird Sisters can give them to the Archmage (in "Avalon Part Two"). The Grimorum Arcanorum had been there since "Enter Macbeth"", the Eye of Odin since "Eye of the Beholder", and the Phoenix Gate had been there since "Vows".

Coldstone is reactivated in this episode. He had been dormant since "Legion". Coldstone next appears in "Possession", although his next chronological appearance is depicted in "Reunion".

Tidbits

Macbeth inaccurately describes Puck as a "changeling". His use of the word implies that it is being used to mean "shape-shifter"; in fact, a changeling, in fairy mythology, was a substitute baby left behind by the faerie-folk whenever they stole a human infant from its cradle, sometimes a fairy baby, more often a very old fairy pretending to be a baby. There is no hint in the series that Puck ever had such an experience.

When Lexington is typing in passwords in an effort to reactivate Coldstone, among the words that he tries are "Othello", "Desdemona", "Iago", and "Weisman".

Demona's eyes glow red even while she is in human form (at the moment when she angrily confronts Macbeth at the end of the episode, just before the Weird Sisters step in). Evidently Puck's transformation spell has not completely removed her gargoyle qualities during the daytime.

After Demona turns human in front of Elisa, she strikes the same pose Elisa did in "The Mirror" when posing as a guard for Titania's Mirror at the museum. Ironically, the reflection of this pose stayed in the mirror after Elisa moved and Puck's "gift" for Demona was the last thing he did when she summoned him from it and the last thing before she smashed it.

The title of this episode and its theme of responsibility in the face of frightening odds comes from the 1952 film, High Noon. [1]

Coldstone and Macbeth's exchange of "Well, this is diverting . . . "/"You have no idea." would later reappear in the sixth issue of Greg Weisman's Marvel series, Starbrand & Nightmask.

Toon Disney/Disney XD Edits

After Elisa is captured by Macbeth and a human Demona, she is thrown against a wall, knocking her out. This is cut. Instead we see Macbeth throwing her but we don't see her impact with the wall. It cuts right to where she has already landed on the floor and gone unconscious.

DVD Release

• Gargoyles: Season Two, Volume One

Links

• Background Memo
• Greg's Ramble
• Extensive Synopsis and Review

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