Difference between revisions of "Angels in the Night"
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| − | + | {{Apocrypha banner|''[[The Goliath Chronicles]]''}} | |
| + | '''"Angels in the Night"''' is the thirteenth and final episode of the ''[[The Goliath Chronicles]]''. It was written as the finale for the entire ''[[Gargoyles (TV series)|Gargoyles]]'' series. It originally aired on February 15, 1997. | ||
| + | {{Castandcrew | ||
| + | |h1=Crew | ||
| + | |c1= | ||
| + | *Supervising Producer: [[Scott Thomas]] | ||
*Story edited by: [[Eric Lewald]] | *Story edited by: [[Eric Lewald]] | ||
*Written by: [[Cary Bates]] | *Written by: [[Cary Bates]] | ||
| − | + | *Produced by: [[Vince Commisso]] | |
| + | *Directed by: [[Charles E. Bastien]] | ||
| + | * Voice Director: [[Jamie Thomason]] | ||
| + | * Music by: [[Carl Johnson]] | ||
| + | * Title Theme by Carl Johnson | ||
| + | * Music Editing: [[Marc Perlman]] | ||
| + | * Animation by: [[Nelvana Limited]] | ||
| + | |h2=With the Voice Talent Of | ||
| + | |c2= | ||
| + | *[[Thom Adcox|Thom Adcox Hernandez]]: [[Lexington]] | ||
| + | *[[Ed Asner]]: [[Hudson]], Pilot | ||
| + | *[[Brigitte Bako]]: [[Angela]] | ||
| + | *[[Jeff Bennett]]: [[Brooklyn]], [[Owen Burnett]], Thug 1 | ||
| + | *[[Cam Clarke]]: Quarryman 1, [[Maxwell]] | ||
| + | *[[Scott Cleverdon]]: [[John Castaway]], Thug 2 | ||
| + | *[[Jim Cummings]]: Male Computer 1, Cop 1, Business Man | ||
| + | *[[Keith David]]: [[Goliath]] | ||
| + | *[[Bill Fagerbakke]]: [[Broadway]] | ||
| + | *[[Jonathan Frakes]]: [[David Xanatos]] | ||
| + | *[[Ashley Laurence]]: Housewife, Woman, Female Commuter | ||
| + | *[[Tress MacNeille]]: [[Margot Yale]] | ||
| + | *[[Salli Richardson]]: [[Elisa Maza]] | ||
| + | *[[Frank Welker]]: [[Bronx]], News Reporter | ||
| + | *[[Tom Wilson]]: [[Matt Bluestone]], Male Commuter 2}} | ||
| + | <br style="clear:both;"/> | ||
==Summary== | ==Summary== | ||
| Line 10: | Line 39: | ||
===Ending Monologue=== | ===Ending Monologue=== | ||
| − | ''"[[Timeline#994|One thousand years ago]], we lived in a world that understood our purpose. It was the age of [[Gargoyle]]s. [[1994|Ten centuries later]], we awoke to a world bent on our destruction. Somehow, we never lost hope, and today we come full circle. A new age has begun, and we live again."'' | + | ''"[[Timeline#994|One thousand years ago]], we lived in a world that understood our purpose. It was the age of [[Gargoyle]]s. [[Timeline#1994|Ten centuries later]], we awoke to a world bent on our destruction. Somehow, we never lost hope, and today we come full circle. A new age has begun, and we live again."'' |
==First Appearances== | ==First Appearances== | ||
| Line 20: | Line 49: | ||
==Continuity== | ==Continuity== | ||
| − | The recording that [[John Castaway]] had of [[Goliath]] | + | The recording that [[John Castaway]] had of [[Goliath|Goliath's]] threat was dialogue altered from his time in court. ''([[And Justice For All|"And Justice For All"]])'' |
==Discontinuity== | ==Discontinuity== | ||
| − | [[Margot Yale]] | + | [[Margot Yale|Margot Yale's]] trusting of Castaway is questionable considering that he was arrested for endangering the city in [[...For It May Come True|"...For It May Come True"]]. |
==Tidbits== | ==Tidbits== | ||
Originally, the production team for ''The Goliath Chronicles'' intended to end the episode with the [[Manhattan|gargoyle]] and [[Elisa Maza|Elisa]] fleeing [[New York City|New York]] for good; Goliath and Elisa would move to Chicago (Elisa changing her name) and [[Brooklyn]] and [[Lexington]] would embark on their own world tour. Fortunately, [[Greg Weisman]] persuaded his successors not to use this idea. | Originally, the production team for ''The Goliath Chronicles'' intended to end the episode with the [[Manhattan|gargoyle]] and [[Elisa Maza|Elisa]] fleeing [[New York City|New York]] for good; Goliath and Elisa would move to Chicago (Elisa changing her name) and [[Brooklyn]] and [[Lexington]] would embark on their own world tour. Fortunately, [[Greg Weisman]] persuaded his successors not to use this idea. | ||
| − | This is the only episode in ''The Goliath Chronicles'' (apart from | + | This is the only episode in ''The Goliath Chronicles'' (apart from [[The Journey (TGC)|"The Journey"]]) to include a [[William Shakespeare|Shakespearean]] reference (assuming that [[Titania|Titania's]] role in "...For It May Come True" doesn't count): [[David Xanatos|Xanatos's]] line "Now you have two choices: to be or not to be." |
There is a brief allusion to the rock band The Beatles when [[John Castaway|Castaway]] promises to award the informant Maxwell the "Silver Hammer" for his services (the Beatles had a song called "Maxwell's Silver Hammer"). The Beatles were known as The [[Quarrymen]] before they became famous. | There is a brief allusion to the rock band The Beatles when [[John Castaway|Castaway]] promises to award the informant Maxwell the "Silver Hammer" for his services (the Beatles had a song called "Maxwell's Silver Hammer"). The Beatles were known as The [[Quarrymen]] before they became famous. | ||
| − | ==See | + | ==See Also== |
| − | |||
| − | |||
| − | |||
* [http://www.gargoyles-fans.org/reviews/ep78.htm Review] | * [http://www.gargoyles-fans.org/reviews/ep78.htm Review] | ||
Latest revision as of 14:40, 15 May 2025
"Angels in the Night" is the thirteenth and final episode of the The Goliath Chronicles. It was written as the finale for the entire Gargoyles series. It originally aired on February 15, 1997.
| Crew | With the Voice Talent Of |
|---|---|
|
|
Contents
Summary
Opening Monologue
"The yearning for renewal is universal. The human new year takes many forms, but each message is the same. The struggles of the old year die away, as unspoiled hopes of the new year are born. Sometimes, hope is all we have."
Ending Monologue
"One thousand years ago, we lived in a world that understood our purpose. It was the age of Gargoyles. Ten centuries later, we awoke to a world bent on our destruction. Somehow, we never lost hope, and today we come full circle. A new age has begun, and we live again."
First Appearances
Character
Miscellaneous
Continuity
The recording that John Castaway had of Goliath's threat was dialogue altered from his time in court. ("And Justice For All")
Discontinuity
Margot Yale's trusting of Castaway is questionable considering that he was arrested for endangering the city in "...For It May Come True".
Tidbits
Originally, the production team for The Goliath Chronicles intended to end the episode with the gargoyle and Elisa fleeing New York for good; Goliath and Elisa would move to Chicago (Elisa changing her name) and Brooklyn and Lexington would embark on their own world tour. Fortunately, Greg Weisman persuaded his successors not to use this idea.
This is the only episode in The Goliath Chronicles (apart from "The Journey") to include a Shakespearean reference (assuming that Titania's role in "...For It May Come True" doesn't count): Xanatos's line "Now you have two choices: to be or not to be."
There is a brief allusion to the rock band The Beatles when Castaway promises to award the informant Maxwell the "Silver Hammer" for his services (the Beatles had a song called "Maxwell's Silver Hammer"). The Beatles were known as The Quarrymen before they became famous.
See Also
| << Previous Episode: "Seeing Isn't Believing" |
